Girls, girls, girls

I am in love with Girls, Lena Dunham’s New York-based sit-com, lauded and loathed in equal measure, due to its portrayal of an arguably narrow group of twenty-somethings for whom the shit-sandwich of working for free, navigating difficult relationships, and spending 90% of their time making twats of themselves is tolerably digestible when coupled with the confident self-assurance that these FML-years are simply a trade-off for a life of creative success, spacious apartments and organic elderflower gin.

But have you been to Hackney, Dalston, Peckham, New Cross or Camberwell? Alongside a diverse demographic of city-dwellers, these places are full of ‘girls’ – dissatisfied, success-hungry, cash-starved but opportunity-rich young women just like Lena Dunham’s Greenpoint counterparts. They may be the niche rather than the norm, but isn’t it better that a show like Girls honestly portrays its minority rather than democratically try to represent everyone, and thus no one? People loved Sex and the City because it was aspirational, and Friends because it functioned as an escapist fantasy that made being young and broke seem like a white-teeth-baring laugh, not because anybody could truly relate to the catch-all characters.

While Girls’ glaring omission of racial diversity is inexcusably problematic, it does accurately nail the trials, tribulations and LOLs of a particular kind of girl, to whom it succeeds in being completely relevant. Girls might be obnoxious, and its characters potentially unlikeable, but that doesn’t mean its not punch-in-the-face relatable and refreshingly honest to a lot of people in a way no other show has been before.

So inevitably, people will hate Girls, just like they hate hipsters, raw food and ACNE. They probably live in Clapham.

Read also:

Hipster racism run-off and the search for the black Constanza – Gawker

It’s different for Girls – New York Magazine

American Editors, Eff Yeah!

It’s unlikely I’ll ever stop being the girl whose shampoo is more often dry than Fekkai, which would probably explain my growing fascination with the unfailingly immaculate style of America’s fashion editors; one can always dream, right? How could you not admire their slick looks and sleek hair to which split ends are as familiar as its owners are to full-fat dairy, not to mention some of the most enviable professional portfolios around, putting them a cut above the simple turn-up-and-look pretty set?

Here’s my favourite few to grace the mastheads and style blogs:

Senior Marketing Editor of Glamour Madeline Andrews Escudero is a master of over-sized bags and trousers.

Editor of beauty blog Into the Gloss, Emily Weiss, is not just a (religiously exfoliated and moisturised) pretty face; her effortless style frequently gets the street snappers going too.

Former accessories director for Marie Claire, and current Artistic Director at Moda Operandi, Taylor Tomasi Hill, is as omnipresent in the best dressed lists as some of the most seasoned walkers of the Red Carpet thanks to her ability to add a slick of NYC gloss to even the most off-the-wall outfits.

Accessories editor of Glamour Magazine Maria Dueñas Jacobs is an expert at preventing pretty separates look sugary or jeans look boring.

With her swishing curtain of blonde hair and always on-the-money outfits, Senior Fashion Market Editor of Harper’s Bazaar Joanna Hillman perfectly personifies tireless insider glamour.

And of course, The Orig.

Free exhibition: Bella Howard – Love Buzz

If you spend your internet time trawling the likes of Fashion Gone Rogue or scrapbooking your Tumblr feed on Pinterest, and are knocking around Covent Garden this week, head to St Martins Lane hotel for a squizz at fashion photographer Bella Howard’s exhibition, Love Buzz, there until Friday.

Featuring editorial photographs, plus customised and scribbled on polaroids of Alice Dellal, Alexa Chung, Lana Del Rey and other such scenesters (as well as a couple of Cher Lloyd and Nicole Scherzinger looking quite cool), the mini-exhibition is a nice reminder of the tactile pleasure of an IRL picture, a sentiment anchored by photocopied covers of Bella’s zines, which also feature in the exhibition.

Humming the following as you look around is highly recommended:

ps: it’s free.

Marina Garnier’s Ladies Who Lunch

I’ve noted more than once this week that I’d be better suited to the life of an aristo, spending my days sporting Chanel, a martini and a scowl in a swanky hotel bar somewhere. Like, er, these New York socialites, captured for Vanity Fair by Marina Garnier  as they gad about various lunchtime gatherings between the late ’80s and mid-’90s.

Perhaps it’s time I stopped watching so much Downton Abbey…

See the full series here.

Stella McCartney S/S’12 campaign

Unsurprisingly, Stella McCartney, the woman who has previously used cut-out ’70s cookbook fruit, sharks and Disney cartoons to hawk her wares, has come up with a brilliant ad campaign for spring/summer ’12.

While her scuba-inspired collection is leading the way for the aquatic trend this season, it might have been boringly predictable if Stella had done a campaign as blatantly sea-faring as her more literal-minded Chanel counterpart Karl, so it’s nice to Natalia Vodianova sport the wavy designs amongst a collage of English wild flowers.

The mixed media effect totally reminds me of the Quentin Jones images I am obsessed with this week, as well as having that hyper-real grunge thing going on (remember the Heart Shaped Box single cover). Timely reference and newness. Nice one Stella.

Jane Birkin: jean genie

Jane Birkin

Jane Birkin

I know it’s mega-predictable to swoon over Jane Birkin’s style, but how perfect are these jeans? Just high and fitted enough on the waist to provide a shapely silhouette, without getting into that hideous belly-framing territory, while also having a leg that is both slim and flattering.

I’ve never been one to give denim pride of place in my wardrobe – I mean really, why is everyone so obsessed with jeans? It’s usually more trouble than it’s worth finding a cut that looks good (do not even get me started on skinny jeans being worn by so many and suited to so few), but I must admit I’m swayed by this just-slim, hip-hugging cut (see MiH’s Halsy Vintage ’90s fit for further confirmation). They’re the perfect foil to a metallic jumper, printed jacket and a load of brash jewellery (worn all together, obv) without any of that ‘I’m drowning in my boyfriend’s jeans’ bullshit, not to mention unfortunate arse-sagging.

And it just so happens I’ve tracked down the perfect pair for £35 at Topshop. Do not be alarmed by the name or look of the shot on site; they sit quite high and slim on the waist and when you un-pick those unnecessary turn-ups, are (on me) a brilliant leg-lengthening, ankle-grazing length.